Tonight I headed downtown for dinner at
Otto Moser's, and to take in the concert of the year, if not a lifetime. The
Rock and Roll Hall of Fame and
Case were hosting the
10th Annual American Music Masters Series, which was a tribute to the life and music of the definitive soul singer,
Sam Cooke.
The most exciting thing before the show began was the appearance of a woman in a long white gown accented by a red boa, a huge ostrich feather fan and an enormous hat, easily four feet in diameter, also made of red feathers. Her companion wore white pants and a red blazer and matching bowler hat. They made quite a stir sitting in the box seats. They were the talk of all of the folks in my section of the theatre.
The show began at 8:15, when a video screen lowered and
Bill Clinton began speaking about the influence of
Sam Cooke. His appearance was met with wild applause.
The first act was the incredible
Blind Boys of Alabama, singing,
This Little Heart of Mine and
If I Had A Hammer. They were terrific.
They were followed by the emcee,
Dr. Julian Bond of the
NAACP, a man of stunning charisma.
Next on the line-up were
Otis Clay and
Cissy Houston.
Cissy sang
Only 16, but she was either tired, old, or hanging out with her daughter. She was out of it and had no enthusiasm whatsoever.
As the set was being prepared for the next act, we were treated to old
Ed Sullivan black and white footage of
Sam singing
You Send Me which was breathtaking.
Then, one of the evening's highlights for me - the performance by
The Manhattans. I have to go out and get some of their stuff! They did a great version of
Chain Gang, and
Wonderful World.
This was followed by another vintage video of
Sam performing
A Change Is Gonna Come.
The mood kept on rising as the magnificent
Taj Mahal came out and sang
Lil' Red Rooster and
Twisting the Night Away. The crowd was clapping, swaying, screaming - it was a party in the house. The energy was electric. It was impossible not to feel a strong sense of communal harmony and joy.
At 9 pm, the assistant emcee came on stage, the great
Morgan Freeman, recipient of a long standing ovation, just for being in Cleveland I guess.
Then came
Peter Wolf from the
J. Geils Band, who really tore up the stage, doing
Sam's
Everybody Likes to Cha Cha Cha. I've never seen anyone run around a stage like that before.
William Bell did a beautiful version of
You Send Me, which lead into
We're Having a Party with everyone sans the
Blind Boys re-appearing on stage. There was so much energy in the house, it felt like the end of a miraculous concert. But no, it was only intermission!
Going out to the lobby, I ran into a co-worker, "
Tripod Dennison", who chivalrously offered to buy me a drink. He concurred that the evening was truly a once-in-a-lifetime event, and that for $35, we were more than getting our money's worth. I was truly concerned, given the level of passion and excitement in the theatre, what would happen when
Aretha Franklin appeared. I was pretty sure the roof was going to come off the joint.
The second act began with
LC Cooke (
Sam's brother) and the
Highway QC's .
During the show
Gorgeous George and
Early Bird ,two famous
Apollo emcees, came out and did some recollections of the early days, and their memories of
Sam.
The Dixie Hummingbirds also did a song, then came
Gavin DeGraw, a youngster, who gave exquisite performances of
Cupid and
Change my Heart For You , which received a well-deserved standing ovation.
At 10:30
Solomon Burke appeared, wheeled out on an ermine draped throne, wearing a purple sequined suit. His handsome and vocally magnificent son,
Selassie, performed a lovely number, and supernaturally evoked the tone and spirit of
Sam Cooke. It was kind of spooky.
Then
Elvis Costello performed two tunes,
That's Where Its At and
Get Yourself Another Fool and then finally,
Aretha Franklin, my main reason for going to the show.
It was now past 11 pm. The house was dark for a full fifteen minutes as they prepared for
Aretha's entrance. There was no videos, no emceeing, no music. Nothing but black silence. It was honestly perturbing. All of the energy of the night had faded. It seemed that the audience on the whole was ready for the night to be over. Finally the curtains parted, and out stepped
Morgan Freeman, who simply said , "Here is the Queen Of Soul", and shrugged his shoulders and exited the stage. There is no mistaking that
Aretha is a formidable talent. I am so glad that I had the opportunity to see and hear her live, but it was a very long and uncomfortable wait. She performed
For Sentimental Reasons and
Sugar Dumpling, again bringing out the evening's previous performers to the stage, but there was no energy compared to the rousing and electric first act. That first act, even though it had few "heavyweights" had all of the passion and excitement. If the show was simply the second act, it would have been very disappointing.